This week I have been thinking about books...writing them... collecting them...reading them...re reading them...analysing them...stacking them...searching for them...paying library fines.
It started when I had to accept and face my fears as a writer of midgrade fiction.
Emotion.
I have a huge block when writing any scene which might get anywhere near a wallow in emotion. So having faced up to my fear, I have been reworking scenes in my Craic MS and trying to let myself go a bit....(thanks Fleur for the verbal beating around the head...honestly...apparently it’s because
I’m a nine...we are the peacemakers.)
I talked to my brother a few days ago about wonderful childhood books that we both want to collect, (The Martin Falconer series By John Harris) but they are out of print...I found a link to
abebooks and $60 later I have ordered four (only one in the series tho. Dang.) They are a treat for me which I won’t get until close to the conference (taking my mind off it as we go to the wire) but never mind....maybe I will have sold something by then to pay for them. (haha)
Susan Meier is a top notch Harlequin writer and
Five Scribes Blog is a great reading resource. Here is a little taste of the interview with Susan....(yep My poor MS suffered from not enough No.2...however it is a great story...apparently.)
There are seven common reasons books get rejected:
1. Doesn’t fit our line/Isn’t right for the publisher to which it was submitted
2. Not enough emotion (too much emotion/romance if it’s going mainstream or single title)
3. Pacing off/bad
4. Tone wrong
5. Bad characters (FOR A MULTIPLICITY OF REASONS)
6. No conflict/weak conflict
7. Weak story
Unfortunately, those are only symptoms of what’s wrong with your book. Think of going to the doctor. You go in. You say, I have a fever, body aches and I’m throwing up. He doesn’t say, “Oh! You have fever, body-aches and puke disease.” He says, “You have a virus.”
That’s one of the most important things about figuring out what’s wrong with your book. Most of us deal in symptoms and forget the disease. So what does a book “disease” look like?
So jumping back from the seven reasons to rejection I came across an article by
Jonathan Crossfield on the power of three (set up, repeat, payoff)...which I have always believed - fairytales are stuffed full of this. This article looks at rhythm in writing and although it’s familiar territory you can always reread it and get something out of it for your own work in progress...or even the revision...
Baaaaawwwwwwkkkk. Why Are Kiwis so self effacing...It’s not like it’s a bad thing... Maureen, slightly freaking out at the thought of it. So... I’m supposed to show people a sample of my writing...Ok....here goes....
New revised opening paragraph of Craic...
Tressa crumpled up the shrinks latest letter of positivity. La. La. Heard it all before. Tried it all before. Got the tee shirt....
Yeah, shrieked her inner voice, it has trouble magnet coward printed all over it.
Tressa pushed down the voice and counted to ten and then twenty slowly while thinking about books (not hard) beautiful colours (shades of happy red and yellow) and yummy food (peanut butter with cheese on toast.) She turned on the computer and looked at her in-box.
School.
School.
Sonnie. She opened that email first.
Her fantasy life with her overseas email pen friend was always better than school.
maureen
This post didn't start out about numbers but as I read through it I have only missed out two numbers...