Who Are You?

In Publishing News this week,

 

Publishing Perspectives reports on the arrest of the International Publishing Association’s Prix Voltaire laureate Sihem Bensedrine. Sihem received the Priz Voltaire for her work on the Tunisian Truth and Dignity commission following Tunisia’s 2010 revolution. Now Tunisia is arresting her for it. Giving a voice to victims’ truth is always going to be unpopular for governments. How they deal with it tells you all you need to know about the people in power.

 

Last year the use of AI in the publishing community signaled plaintive cries that the sky was falling from publishers, authors and industry commentators.

This year the publishing community is looking to make money off AI in all sorts of forms.

The latest to take up the AI money spinner are the audiobook producers and the academic publishers. 

This week Audible announced a beta trial of AI powered search for audiobooks. This follows last weeks announcement from Scribd that they are Beta testing an AI search programme for their subscribers for ebooks and audiobooks.

 

Mark Williams of The New Publishing Standard looks at how academic publishers are quietly embracing money in return for letting AI companies have access to their books.

But will the money trickle down to the authors?

 

Various national copyright agencies are wrestling with the AI copyright problem. In the U.S. the copyright office has released the first part of a big report on AI. You may remember the writer’s strike last year which highlighted the dubious nature of AI copyright in producing scripts. The calls to tighten up laws around copyright are getting louder.

 

Amazon’s KDP are making some big changes. Dan Holloway reports on the rollout of Identity Verification requests for authors and publishers. It’s another way to limit the scammers. (Why did it take this long?)

 

Gizmodo reports on Colin Kaepernick’s new venture, Lumi. It is raising eyebrows and blood pressure levels in the comic book world. 

 

The Alliance of Independent Authors has just published a comprehensive article on all things AI for authors which I recommend reading to get some more information of what you can and can’t do. It’s here to stay you may as well learn about it.

 

The beauty of having a physical book is that you own it, you can read it at any time, make notes in it, or get it signed by the author. With digital products you don’t get that physical ownership feeling. Eleven years ago, I covered the launch of Enthrill. Their great idea was eBook cards as a physical product you could buy and gift to someone. Enthrill got bought and sold, swallowed up and disappeared. This week a new company has got the great idea to produce physical audiobook cards which contain a QR code to get your audiobook.

 

Allison Williams writes on Jane Friedman’s blog about the platform authors need now and it isn’t Social Media. This is an interesting article about showing up and practicing the 3 P’s.

 

Donald Maass asks a provocative question. Have you ever been reading a novel and asked yourself “Why should I care?” and then realized that you don’t.

He writes about flaws that sometimes elicits this reaction and where writers have made us care and why.

 

Katie Weiland has another super post on structure. She takes a deep dive into the inciting incident and how it shapes the story.

 

In The Craft Section,

7 tips to make your antihero stand out- Becca Puglisi- Bookmark

The most important thing to include in your story- Angela Ackerman

Your characters crucial inner conflict- C S Lakin- Bookmark

Backstory options for dual storylines- Jami Gold

4 questions to strengthen lean manuscripts- Lisa Fellinger- Bookmark

 

In The Marketing Section,

7 ways to promote your book on Goodreads- Rob Bignell

Securing Book Sales- Brian Feinblum- Bookmark

2 great posts from Roland Denzel- selling books with email and what you can learn from movie stars- Bookmark

Grabbing great blurbs- Carolyn Howard- Johnson

 

To Finish

Who do you write for? This question has no wrong answers, or does it? 

P J Parrish was asked this question on a panel which then highlighted different authors understanding of who their audience was and why they write.

It’s a great article on the power of your own voice and thoughts, and why this might be what your audience needs.

 

Maureen

@craicer

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Photo by Rock'n Roll Monkey on Unsplash

Tricky Questions. Big Consequences.

This week everyone in publishing has been talking about whether the Book Fairs are on or off or postponed or delayed or canceled altogether.

With restrictions on movement and fears about Covid19 and a potential pandemic, the Book Fair season is looking shaky.

Bologna, the biggest children’s book fair has been postponed until May 4^th-7^th. 

London is going ahead but organisers are noting there will be restrictions in place and a smaller fair. There are still going to be plenty of good discussion along with lots of hand sanitiser. LBF are warning about shaking hands. 

With the postponement of major book fairs, there is a knock-on effect happening. May looks like it will be very busy with make-up book fairs. Already publishers are delaying publication because they can’t get books printed in China in time as restrictions on movement slows down the industry.

Ingram Spark are tightening up the rules on what gets printed through them. In their sights are Indie Publishers with badly copied PDF’s, journals with blank pages and anything they think looks dodgy like workbooks. This could catch writers on the hop especially those who publish reading copies and workbooks to go with their books

Jami Gold has a quick rundown on the RWA where we are now report which was just released. Can something rise from the ashes? The bulk of Jami’s post is on how to cope with disappointment. Do you use it to spur yourself on or wallow with chocolate cake?

Kris Rusch has a great post on challenging your comfort zone. Have you been writing the same old thing, book after book? When did you last live on the edge creatively?

Ruth Harris has an excellent post on the five mental traps that the writer can get caught up in. Yes, your writing brain is out to sabotage you. How can you recognize the signs? 

Fae Rowen sat down and wrote a list of things she wanted to achieve in her writing in the next decade. They all have to do with craft. This is a great list to mull over and steal from.

In The Craft Section,

How To Rewrite Your Whole Darn Book- P J Parrish – Bookmark

Thoughts on how to be critical of stories- K M Weiland – Bookmark

5 mistakes to avoid if you want to finish your book- Colleen Story - Bookmark

What writers can learn from bodybuilders- Dave Terruso

In The Marketing Section,

Unique marketing ideas for March – Penny Sansevieri- Bookmark

5 tips for your author bio – DIYMFA

Professional Writing Resources- K M Weiland – Bookmark

How to put together a strategic editorial content calendar

How to start a writer YouTube channel- Michael La Ronn 

To Finish,

During the Christmas/Summer break I went to the movies. I was keen to see Knives Out for various reasons. The cast, and the premise. An old fashioned whodunnit mystery. It seemed so fresh again to be in an audience that were treated as intelligent. After I got used to Daniel Craig’s accent, I enjoyed being surprised by the twists and turns. Excellent storytelling. Is this genre making a come back? How are your sleuthing skills?

Pic: Angela Lansbury- Murder She Wrote- TV Series 1984-96 IMDB.com

Maureen

@craicer

Do you want the best of my bookmarked links in a handy monthly newsletter?

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