Genre Journeys

This week seemed to be genre week with interesting  articles from across the genre spectrum.

Children’s Publishing day at Digital Book World had some interesting takeaways. A few years ago it was widely speculated that with all these smart phones the early adopters would be teenagers. But they aren’t. They still want a physical book with printed pages.

But the genre could be slowly changing.

Over in the Romance field the HEA (happily ever after) ending is being questioned... do modern romances need this? It isn’t reflected in real life... is it? Some interesting thoughts in this blog post and comments.

James Patterson, who is his own genre, has been making waves this week with the revelation that there is a whole publishing arm devoted to just him... and he is employing them through his publishers, which would make him a Self Publisher with a traditional publishing house or a traditional publishing house with a self publishing imprint devoted to one person. No one can decide but it makes fascinating reading especially as he is publishing across age groups.

Leo Hartas, an illustrator, makes a plea for writers to understand how to commission an illustrator. If you are in the market for having illustrations for your project... read this first. I know illustrators who say these words often.

One of the most heart felt posts on Social Media came from Anne R Allen this week. This follows on from Jami Gold’s post last week. Anne talks about the increasing pressure on writers to be everywhere... You don’t need to be. She makes absolute sense and this is a must read for every author out there.

Catherine Ryan Howard who is a Go To Guru on how to self publish has an agent and a traditional publishing deal. This is an interesting journey... and one a lot of writers are taking as Hybrid is seen as a good career move.

This week publishing futurist Mike Shatzkin has been thinking about the need for publishers to use critical data research in the acquisitions process. These days research and data profiles are becoming easier to find and use so why aren’t publishers using them? As always read the comments for the robust discussion points.

Today while traveling on an errand a character, whom I had put on hold for a few years, popped into my mind demanding that now was the time to tell his story... never mind I’m in the middle of something big... somewhere else. Some characters are so rude! This got me thinking about Story Structure and this led me to one of Larry Brooks latest posts on structure versus pantsing. There is no opposition. There is subliminal understanding that every story should have a beginning and an end. This is a one of those A-HA posts that you will print out!

In The Craft Section,

18 tips to deconstruct novels to nail genre- C S Lakin Bookmark

7 steps to hook readers

How to write a love scene- Jane Friedman Bookmark

6 emotional motives for your characters- Mythcreants

2 Bookmark posts from  K M Weiland 5 ways to trim your word count and 11 killer chapter breaks.

The 4^th rule of storytelling from Pixar

Angela Ackerman and Becca Puglisi have compiled a popular posts list.

The critical importance of crafting a strong opening- Jody Hedlund Bookmark

In The Marketing Section,

6 ways you are ruining your book marketing- Bookmark

Social media guidelines for newbies

How authors can find readers- Jane Friedman- Bookmark

What to talk about in the marketing meeting.

A guide to what agents are looking for in the first five pages- Bookmark

6 straight forward ways to structure a blog post

To Finish,

Y A Highway is an interesting site where YA authors hang out. They have an interesting infographic (very Jasper Ffordish) with lots of clickable links on all sorts of interesting posts. This is well worth a trawl. Children’s writers cover all genres the good and the bad...

Maureen

@craicer

Colourful Easter pic from https://www.flickr.com/photos/praktyczny_przewodnik/7047496769

Being a Fan...

Last night I attended the the New Zealand Post Children’s Book Awards. These are our top prizes for Children’s Literature and so are a BIG DEAL.

Today I have been reflecting on the surprises amongst the winners and the Judges comments about choosing books with a distinctly New Zealand flavor. 

For many years we have been looking outward trying to make our stories more international...or even ignoring our own stories thinking they won’t be of interest to an international audience. Publishers have hesitated about promoting New Zealand themed stories overseas...they won’t travel well, they're too kiwi. But these stories are our unique point of difference...amongst the fantasy/dystopian/superhero saturated publishing world and this year the judges decided to remind us of that fact.

Through it all Story is the defining thread...as Jack Lasenby (81), winner of the Young Adult category, said in his acceptance speech ‘Without Story, I Am Nothing.’

Jack’s writing career reflects New Zealands attitude to its own stories. He is a master storyteller deserving of a wide audience. His first novel for children tackled child abuse when no one ever talked about it and 'that is such a grim subject we don't want anyone overseas to know that happens in the land of Godzone'. Jack was known in New Zealand but no publisher took his work overseas...'it was too parochial'. Then he wrote dystopian Young Adult fiction, before it was popular...'great writing, but too dark...it might scare the children.' It won awards. His fun tall tales, for younger children, of life in New Zealand in the 30’s when he was growing up, great writing... won awards...'well the stories are too far removed from current children’s lives...won’t have any relevance to an international audience'. This year Gecko picked up his latest tall tale and took it overseas...and it got favourably reviewed by the Guardian.

Can we get over our cultural cringe and see if the world is ready for some real New Zealand stories. We are the nation of focus for Frankfurt and IBBY so we should start getting behind our great children’s writers.

 What interesting gems are there in my blog link roundup today? 

The importance of story links many of them.

From a cool infographic about how a story is born from Mediabistro to the importance of voice for audiobook narrators, the impressive Cris Dukehart on being a serial killer...and how to get the right narrators for your project from Bob Mayer.

The Book Designer has ten writing exercises to free your mind and K M Weiland talks about flipping genres halfway through the story and how to sort this out.

There is a guest interview featuring Editor Cheryl Klein who talks about the importance of plot and Bubblecow has a nifty piece on getting constructive feedback so you can edit.

The Guardian has an opinion piece on how Fan Fiction of popular stories is driving the new books being picked up and Rachelle Gardner has reprised her post on how to craft Book Proposals so your story can be picked up...

Two feel good stories offer hope out there...How one bookstore owner is taking on Amazon and how a self pubbed author of a popular scifi series got his project picked up in Hollywood.

Selfpublishing should be a marketing tool. This guest post has had lots of comment on Jane Friedmans blog and is a must read for the week along with the Books and Such agents blog on why everybody in publishing feels disenfranchised.

Joanna Penn has helpful hints on a marketing list to get your stories noticed and Catherine Ryan Howard tells you how to get your first readers.

Every link, a nice little story...I leave you with a video from Dan Blank about how the quality of the stories you create should last for generations.

The pic is The New Zealand Post Children's Book Award supreme winner...a distinctly New Zealand Non Fiction Story...which just happens to be a graphic novel!

maureen