Writing Life On The Edge...

It’s been a funny old week in the writing blogosphere. 

The Wall Street Journal piece on the darkness of YA Fiction spurred a huge twitter backlash (#YAsaves) that had it in the top three trending topics inside of an hour. Among the authors singled out in the WSJ article was Judy Blume who was surprised to find that her books were considered too dark to read. Judy linked to a Blog post by a young writer about why she reads YA Fiction. 

Today Maureen Johnson wrote an article for the Guardian looking at the response and how YA Authors feel about the WSJ reviewers comments.

If you write or read YA Fiction have a look at each side. I think there are valid points for each argument. 

Yes there is a lot of violence, gore, death and illegal behaviour in some YA Books. 

Writing about it and the consequences of it can give a safe mirror for a teen that may have to deal with some of these issues in real life. 

Reading these books does not automatically send a teen out to commit mayhem. 

The increasingly younger age group who are picking up Young Adult books, because they want to appear older, are the real problem I feel. I had a serious freak out moment when I heard an 8 year old was reading Twilight at my daughters school. As a teacher, a parent and a children’s writer that made my hair stand on end. (that’s my 50c worth)

Young Adult writing will always be controversial and edgy and the writers and readers wouldn’t have it any other way. (Banning a book is great for sales.)

Writers for Younger children are much safer? Not so. The seventh UK Children’s Laureate was announced yesterday and immediately there were negative comments about the author.

Julia Donaldson has written more than 150 books for children. She is a standout writer and an awesome campaigner for the continuing existence of public and school libraries. However judging by the comments following the Guardian article announcing her appointment...there are a few people out there who think her classic The Gruffalo teaches children that it is ok to lie and they argue she plagiarized Maurice Sendak. Some days you wonder about the parents of your readers...

Also in the news this week how small chain bookshops are repurposing themselves in the current climate...What experiences can they bring to the customer that Amazon can’t...and how Pop Up book stores are working in the US....(Pop Up means short term in an empty space.)

Over in the Craft section there are three excellent links for you on Editing.

Grub Daily has a great post on line editing...with some great examples from old pulp fiction. I have a serious collection of old pulp fiction myself, this is an excellent way to sharpen your editing skills while reading it.

Beth Hill of The Editors Blog has a great (and comprehensive) checklist for editors and writers on big picture editing. This is one to bookmark!

The editors at Edittorrent have a great blog post on openings that annoy...If you are wondering about your killer opening go on over and check out what they have to say.

On Craicerplus (my Amplify Page) I have a link to an article on

Author Agent Speed Dating Service...(one author who wants to make things easier for all of us....)

If you follow me on Facebook or Twitter you will have seen a lot of interesting articles, just for those communities, that I have passed on this week.

To Finish,

Writer Unboxed interviewed Nathan Bransford about why he left Agenting, his new midgrade book coming out and other interesting stuff. Nathan has one of the most popular blogs out in the writing blogosphere and he is always an insightful commentator. 

P J Hoover has a thoughtful post on her experience epublishing Solstice with her agent one month on.

And I’ll leave you with a video from Cory Doctorow –Every Pirate Wants To Be An Admiral...Why he lives life on the edge...

Enjoy,

maureen

Warning...Content....

I have lost count of how many times over the last two years that I have said Publishing is changing rapidly. 

About the only consistent thing you can say about publishing today is that next week it will have changed.

Five years ago Print was all you had to worry about in a publishing contract... and the heady dreams of maybe a movie...(See that pie in the sky?). 

Three years ago digital rights were being talked about, but nobody really knew what they were.

 Last week Amazon reported they had sold more ebooks than print. Barry Eisler signed a print deal with Amazon, whereupon Amazon has now leapt into the ranks of traditional publishers. Agents are becoming publishers. Writers are earning more from selling their own back list as ebooks than they get with a current print book in the market place. 

Traditional publishers are looking at the rapid changes and wondering how they are going to stay in business...(Will they go the way of the big music publishers???) 

So this week it was no surprise that the latest publishing contracts have been under scrutiny and Boy Do They Make Scary Reading Now!

I flagged this on Facebook when I read it. Writers need to be very aware of how contracts are changing. 

Passive Guy in his blog post Strip Mining The Author has highlighted important passages in Kristine Rusch’s warning to writers about new changes appearing in publishing contracts.

He says

While the band is playing and champagne flows, people make brave speeches about the timelessness of their trade. But, make no mistake, a battle is underway below-decks for spots on the lifeboats. If it’s necessary to toss authors over the side to make room, well, that’s just the nature of the business these days.

Check out warrenty clauses, non compete clauses and a nice little phrase called ‘Electronic Version’

Kristine Rusch described this

Think about this: movies are digitized—they are performance, and they are often distributed online. Not only does that clause allow someone to monkey with your work, abridging it, taking it out of order, adding things to it, making it into a performance piece, adding sound effects, but it also is a backwards way of granting television rights, video display rights, and any other performance right, so long as that performance can be distributed electronically.

Read both Passive Guy and Kristine Rusch and bookmark the pages...

Another writer taking a close look at contracts is Victoria Strauss on the Writer Beware site. She has a post up- Contract Red Flag: The Net Profit Royalty Clause...when this is slipped into a contract it means the royalty is paid at the very end, after every discount has been taken off, then you get your 10% of what’s left...hmmmm.

Victoria has also been looking the stoush between Publishers and Agents. As publishers attempt to go behind the agents backs to reprint authors backlists. Agents are not amused! The whole issue becomes messy when you have agents wanting to digitize their clients back list themselves...

If you are looking at alternatives in your publishing decisions...The Book Designer has listed the top ten e-publishing guides that will help you.

Bob Mayer has a very informative post on ebook pricing and perceived value...what does that 99c ebook really do for your sales...

In the craft corner,

Mary Kole has a great post on Physical Clichés...how much head tilting, eye rolling can you stand?

Kristin Lamb has a great post on what Finding Nemo Can Teach Us About Story Action (yes you read that 

right...)

Over on Craicerplus, (My Amplify Page) I have links to articles on

10 Questions To Ask Before Writing

What’s A Book App?

30 Ways To Know You Are A Children’s Writer (guiltyguilty)

Mal Peets Reply To Amis’ Trashing Of Kids Lit. (the man’s absolutely right!)

Why It Is Hard To Write Fantasy If You Are A Girl (who wants to be typecast as a writer because of your gender...?

To Finish,

Jane Friedman has posted a list of 5 free ebooks every writer should have...and 

Chuck Wendig has a post on how to tell you are a writer...This has a warning on it...Contains Language...(that always makes me roll my eyes when I see it on a review- Of course there is language..print or verbal...) However you will laugh...ROFLMAO...

enjoy,

maureen