Showing posts with label RWA. Show all posts
Showing posts with label RWA. Show all posts

Thursday, May 30, 2024

Challenging Times

 

In Publishing News this week,


The Romance Writers of America has filed for bankruptcy. For many years this association was the biggest writer organization out there. They had huge conferences which were the industry standard. A series of scandals in the last few years has seen their membership dwindle from over 10,000 to around 3000 or less. This means they can’t pay for hotels which they used to book 5 years in advance for their big conferences. The bills are due. There is no money leading to the filing. It is not the end of the association, but tight times are ahead. Meanwhile, the way things have been left has annoyed some writers. 

 

When Simon and Schuster was up for sale, Meta (Facebook) was interested in acquiring it. Good E Reader reports from recordings shared with the New York Times that they didn’t want the publishing company really- only the content. This is a heads up for any other publishing companies going up for sale. You could get bought for AI training purposes.

 

Publishing Perspectives reports that Bloomsbury have bought the academic publishers Rowman Littlefield. This is their biggest ever acquisition and doubles their footprint in the US. Richard Charkin’s monthly column on the good and the not so good aspects of publishing has academic publishers in the profitable section, so an excellent bottom line for Bloomsbury. Academic publishing has a captive audience- much to the annoyance of academics.


Dan Holloway of The Alliance of Independent Authors has a quick rundown of the opposition by some of the corporate sponsor behind the Hay Literary Festival. Do you take the money and close your eyes to where it has come from? Can literary beggars be choosers?

 

Lorna Fergusson writes about getting the balance right when you go on a writing retreat. She has a list of very good advice to consider from planning to expectations to the type of experiences that could help or hinder the benefit you might get from it.

 

Christine Webb writes for Writers Digest about balancing humour and emotion in your books. Going too far one way or the other can wreck the reading experience.

 

So what does fear have to do with bad writing? Ruth Harris answers this question in her monthly column on Anne Allens blog. Is fear stopping you from what you really want to write?

 

Do you let your characters fill in backstory? John Kelley has an interesting article on Writer Unboxed about letting your minor characters fill in information. Stories within stories.

 

Suzanne Lakin has an interesting post on inner conflict. How well do you know your characters motivations? She has a series of questions to ask your character that reveals their inner conflicts and can give you great pointers on where to take the character in the story.

 

 

In The Craft Section,

How to use white space And How Did I Get Here - Sue Coletta- Bookmark


Crafting compelling backstory- Michelle Barker- Bookmark


Steadfast arcs vs flat arcs- September Fawkes


Introducing your characters- K M Weiland- Bookmark

 

In The Marketing Section,

Using universal book links – Draft2Digital- Bookmark


Marketing forever mindset- Podcast- ALLI conference- Bookmark


Marketing to agents- Karen Whiting


5 tips for building superfans- Rachel Hanna- Bookmark


15 book promo ideas- Penny Sansevieri- Bookmark

 

To Finish,

It is always interesting to drop into Joanna Penn’s podcast. This week she has an interview with a former mental health nurse, Adam Beswick, about planning for success. Adam has a bestselling dark fantasy series using TikTok videos. He talks about going from being terrified to video himself to viral videos. It is an interesting interview on mindset and being open to new experiences. We send our characters on challenging journeys- shouldn’t we be challenging ourselves too?

 

Maureen

@craicer

 

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Photo by MichaƂ Robak on Unsplash

 

Thursday, February 13, 2020

How To Take Care Of Your Writer





This week the fallout continued with The Romance Writers Association of America. Things have gone from bad to worse in just a week with the current board resigning yesterday and calling for elections for an interim board. Many writers have resigned their memberships and many chapters have also tried to distance themselves from the ongoing mess.
With the high level of angst, anger and frustration around Romance land it’s time to look at writer self-care. Do you make time for yourself and incorporate it in your writing routine?
Shelley Wilson has a great article on understanding what writer self-care looks like and building it into your writing day.

Yesterday I saw a plea from an experienced writer who was asked to comment on a contract. The writer ended up spelling out what the contract was asking for. 
The term of the contract was the term of the copyright of the book, which (in NZ) is the life of the author plus fifty years. Don’t do that. Give the publisher first printing rights in English in North America, or limit the terms to something reasonable like five years not the rest of your life plus fifty years. 
The contract gave the publisher first option on any future books by the author. Seriously. Do you want to go back to that publishing company every time you write or are thinking of writing another book to see if they want to publish it?
The contract was not just for first printing rights, but for all derivative rights. Everything. Not just ebook. All languages, all countries, all formats including print, ebook, audiobook, film rights, everything. Another paragraph said that he basically didn’t get any say in what other editions were prepared- additional printing, book club edition, library edition, abridgements, adaptations, etc. 
The author was expected to provide contact info for famous people who would give blurbs, provide cover images, have the manuscript professionally proved before submission, etc.
Contracts are negotiable. Many writers are so happy to get one they never think about what they are signing. Kris Rusch pointed out in this week’s business post the problem of an IP holder going back over their assets and making an anthology audio book, twenty years later, without looking at the contracts of the anthology contributors.- Would writers even know that they were owed money?

This week Jami Gold wrote about reading recently published books in your genre. Are you doing this as part of your research? It sparked a lively discussion on her FB page. How recent is recent asked one person… I have seen agents say (this week) comp books must be under two years old. You should keep an eye on what is getting published in your genre just so you know what is being overdone.

Jonny B Truant and Sean Platt are the mouths of Sterling and Stone an indie powerhouse story studio. Recently they were interviewed by Forbes Magazine about their writing model. Take 15 writers and 150 books… This is another twist on the collaboration model.

Have you come across the ten commandments of writing? This is a nice mantra to share around your writing groups.

In The Craft Section,






In The Marketing Section,







To Finish,

How are your New Years resolutions writing goals going? Did I see a wince?
Debra Eckerling has a great post on rebooting your writing goals. Remember every day is a new day to begin something.

Maureen
@craicer

Do you want the best of my bookmarked links in a handy monthly newsletter?When you subscribe you will also get a nifty mini book crammed full with marketing notes as a thank you. If you like the blog and want to shout me a coffee, hit the coffee button up top. I appreciate the virtual coffee love. Thanks.


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