Showing posts with label reviewing. Show all posts
Showing posts with label reviewing. Show all posts

Thursday, August 30, 2012

Paying The Piper




Oh the pain and the angst in the publishing world this week when the news broke that a  *reputable* author had been buying 5 star reviews for Amazon copies of his books...and not only that he had done it but that it was even possible...thus skewing the system and maybe breaking a few codes of conduct practices on the way. 

This has put the spotlight onto reviewers...how much should they charge? 

Now you are getting in to tricky territory...
If you said nothing...how do reviewers make a living with falling print media and newspaper layoffs? And where does that leave Kirkus who charges $425 US for a Kirkus review to Indie authors under their Kirkus Indie column. (They say it will be a Kirkus review. They don’t say it will be a good one...and it isn’t.)

Porter Anderson, critic and all around great guy, sets out the arguments in Extra Ether on Jane Friedman’s site and over 100 comments in a short space of time sees this as an important moment in publishing. What will be the status of the review in the future...He wants every reviewer to clearly put their relationship to the writer in the reviews... otherwise it is fraud!

The knives are out for authors who may have puffed up their stats with paid reviews but it does highlight a problem about review visibility to independent authors and small publishers. (and on that note the knives should be out for writers behaving badly when they solicit fan hate mail to reviewers)

While on this subject Catherine Ryan Howard takes a look at 50 Shades of Grey and wonders how you can call it a self publishing success story...

Julie Musil talks about what you do when critique partners disagree with your work.


JJ from Pub Crawl talks about what happens in her head as she has to reject a manuscript from her publishing house.

After all this gloom you need a pick me up. 
The wonderful (witty) Inkygirl has written about how a rejection got her a publishing contract...A feel good story to give Illustrators hope....

This week Mike Shatzkin (publishing futurist and guru) posted an article with lots of important points to think about in the publishing future...especially in the developing world where he sees the 0 print phenomenon happening there faster because of the costs of printing and shipping print books vs ebooks. A very chewy read with lots to think about now that Amazon has opened up India!

Rachelle Gardner is also looking at the publishing future and what authors will need in their tool box.

In the craft section,

10 steps to decontructing the novel to find out how it is done...


Jane Friedman sneak previews The Plot Whisperers new workbook with an excerpt, 7 essential elements of scene and structure.


Writers write has a look at the 12 common archetypes...for those of you who love infographics.

Novel Rocket examines two forms of historical research and how you should combine elements of them for effective research.

and to finish


Tonight I am off to celebrate 20 years of the wonderful Children’s Bookshop in Kilbirnie...It’s going to be a PARTY!
CONGRATULATIONS JOHN AND RUTH McINTYRE!


maureen

Photo: http://www.flickr.com/photos/jpellgen/6023131824/

Thursday, April 14, 2011

6 Facts About Children's Publishing Now.



The recent Spinning Tales conference for New Zealand Children’s Writers and Illustrators highlighted  some important need to know facts about the state of children’s publishing here and overseas. As I research for this blog, every week I come across articles and discussions that support the 6 most important facts.

1. Writing for children is a business. It is not sitting down and tossing off a gentle story about clouds and raindrops and having a publisher fall on their knees to have the chance to publish it for all the little kiddies to read.
It is a hard slog to write a good story and harder to write a good children’s story. The little kiddies are web savvy and digital literate.  Your story must drag them away from T.V, cell phone, Xbox and YouTube.  Good Luck There! Janice Hardy has an excellent post on making the reader care.

2. Writing For Children has to be commercial so that the publishers make money and stay in business...but look out there are others too who want to make money off you.
Publishers print lists are contracting. E publishing is expanding. We are not authors any more we are content providers.  The 10% that content providers get and the 7% they get for e-rights (overseas) is not worth it for the author or the publisher unless the print run is sold out. Add into this the changing nature of publishing contracts and the implications of epublishing on contracts. 

The author must be contract savvy or have an agent who is. 

It helps if you know what the scams are out there for unwary authors.  Larry Brooks has a writer beware publicity scam (?) where TV stations want to make a buck off you.  Publishingtrends highlights the Kindle swindle.  Watch out for copyright scammers who make ebooks from your  web content.

3. Publishers are being challenged by new technology. Everything is changing. Everyone is scared. 
The ease of digital publishing and printing have authors questioning whether they need the traditional publishers. Arguments for and against are everywhere on the web. 
Joe Konrath interviewed Bob Mayer about his move to have his own publishing company, then Joe threw down a challenge to his traditional publishers (ouch!) Jody Hedlund and Jami Gold have taken an opposite view.  

The stakes are high. 

Here in New Zealand, publishers are digitising their back lists...this will make it harder for an author to get their rights back if the book is not selling because ebooks are forever, unlike print.

4. The author must do the bulk of the publicity. 
Publishers are not sending writers out on tour unless they are big sellers! There is no money in publishing to spend on promotion which means the book doesn’t get promoted unless the author does the job. Sellingbooks has a good post on publicity made easier, and 10 buzz building secrets every writer should know, takes it to the next level.

5. You must have a web presence. You must be searchable. Your internet presence must promote your brand. Your brand is your writing. You must make it easy for your readers to find you and buy your book.


Groups of writers have gathered together to help each other promote and publicise their work. This has become a very good way to get noticed and share the load for the average introvert writer. 
Readergirlz annual teen literacy week is just about to start and the Diva’s have linked into some very big names. Take the time to trawl their site and think of the implications for shared publicity.

6. At the moment there are no E publishing gate keepers here in NZ. The reviewers I know haven’t been forthcoming when I have asked if they would review ebooks. It is too hard. The take up of E readers here at the moment doesn’t warrant it. New Zealander’s quickly become enthusiastic adopters of new technology so the ebook explosion will happen quite quickly.


This is probably the time to strike if you want to get into ebook reviewing.   We need filters and trusted reviewers to say this is worth the price. Although as I have been reading lately the small price you pay for an ebook means if it is a dud you haven’t lost much.  
Quality writing for children in an ebook format is likely to get lost in the crowd unless....See Number 3 and 4.


Over on Craicerplus (My Amplify Page) I have links to articles on


Dean Wesley Smith gives the full Uni Course On Cover Design.


eBook Conversion Comparisons...for when you create that ebook.


Agents –You Gotta Have A Contract! - Read it, Weep and Be Warned! See Number 2


The Periodic Table Of Storytelling....geek cool


The Top 5 KidsLit Agencies


To Finish,


Get out there and share the love because our words have the power to change lives....



Question: Any more facts children’s writers should know? Write a comment.


maureen
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